side a drops for the more bass lovin punter, lets jump up and go crazy! classic bassline business just like the spanish like. no holes barred twisted heavy shiznit! side b gets the full on peter paul acid treatment! lookout here comes the techno. drivin bassline with this mad stab cum horn pullin you in the direction of the strobe light! this is dark! drivin and dangerous prepare to get sweaty and gallop that dance floor

side a tech funk bass fuelled fresh as fresh can be sound. skanky bassline, ska style stabs and techno pads and tripped out synths send ya head way ward.side b takes on the same direction as the a side but comes in with a dreamy old skool vibe vocal to get the ladies excited, it seems to feel a lot faster than it actually is, energy flowing from each kick and snare. dont get the wrong idea when i say this track turns into a floater, were talkin hands in the air smiley dreamy touchy feely break beat! nice!

baggy bukaddor and tim fishbeck are well known producers and remixers out of germany mostly known for their excellent work on electribe and mutekki records. here they are on sounds good records with two new very exiting productions under the disguise of >audiosex<. >pork< on the a-side can be described as a groovy minimalistic track with lots of efx s and a heavy bassline. g-string on the flipside is a techie groovy minimal track with overlaying old school strings. played by loco dice, daniel taylor, tania vulcano, saints & sinners, oliver moldan

heavy electro bassline break beat. 2 brand nu montah trakkz

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

cristiano vinci s passion for vintage sounds and old synthesizers of the 80 s lead to his project superjuno and also helped him to define his personal style – fat groovy italo techno! being part of the italian new school with friends eclat and prudo, superjuno has been releasing his disco and electro flavoured tunes and remixes on labels like dirt crew, mood music limited or tenax. his new >sounds from the island ep< is kind of >the banger< (the a-side track >patchouli<) meets >the relaxer< (the b-side track silvia). >patchouli< is the club rocker with a fat bassline, dirty drums and wicked old school bleeps! >silvia< is a beautiful, deep, string flavoured early morining track with a monster bassline! forza italia!

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

funky vocal house number feat on vocals two great mixes to choose from catchy chorus backed with a funky bassline b side with great percussions in the back not to be missed

top trippin deep grooving house mover with funky bassline & sharp hats includes 2 bioground mixes a must have

the french legendar alan braxe s label is back following up >discopolis< (to be released on defected in september 2006), with the new kris menace s bomb ! there was much pressure around this one with some major labels willing to pick it up, but finally here is the vulture release in all its glory.f resh catchy sensual, elegant electro funk house music with this magical unique warm compressed bassline in full effect !! already supported by the usual suspects pete tong, anny mac, andy durant, mousse t, seb fontaine, …. buzz charts, cool cut

after his comeback single for playhouse we salutÉ nick calingaert back on the block with this detroit influenced italo stormer. analog feeling is the key word here ! straight jacking chicago groove with a murder bassline and soaring strings takes the track to higher level while slightly misjointed analogeffects tackles your toes. phonique who is currently riding high with remixes and releases on fine, simple and buzzing fly turns >through< into summer maddnesswith groovy drumprogramming and a strong breakdown perfect for those outdoor parties we all wait for !holmar filipsson (from mr negative/thugfucker fame) is keeping it real with a even more summery feel with light melancolic string work and minimal beats. with his own words >this is happy house as its best< – we think so too !

funky progger with a bassline to die for a cool male vocal sample and some nice acidic elements flip for an engelspost remix

remixes of drivetrain s >desert sky< are the latest cuts served up by the soiree records imprint. percussive, sultry late night house is the order of the day on these 3 new takes, with lush keys, great horns, stellar percussion, superb strings, and a rich, wandering bassline providing the backing for a gorgeous jazzy vocal from genevieve

cheeky carl craig style re edits with a little help from his friends george and stevie the lesser spotted george clinton version of princes erotic city gets a bumping electro disco touch up with georges sardonic vocal style providing a disturbing but strangely enticing vibe next up is a spirited nujazz version of visions where sassos sweeping synths and skittering beats complement stevies melancholy original vocal and bassline in a slightly unexpected fashion

shinedoe, one of the top talents currently arround. massive breaktrough with 2004 summer hit >dillema< and 2005 summer hit >phunk<...after realeses on intacto and trapez, shinedoe returns with a new slammer on 100% pure records. believe us, it is a phat one! seek and you will find, absolutely top of the bill melody. gated strings driffting alongside a shinedoe like bassline. classic state already

start with a collaboration between abe and gene lefosse.. gene lays down the hypnotic bassline and tones mixed with his signature wet tripped out rhtyhm loops. add mr. duque on vocals telling you all about how dope the bassline is. a psychedelic house adventure. flip it for the return of the abe and blake baxter team, their first track since their last classic <what happened?>

with an uplifting electro bass house sound on the a side and beautiful sweeping chords and synths washing over the track these boys keep on growing in stature and quality greg munden slams in with a top rework on the flip taking the originals bassline and adding a more slamming sinister ideal

the original moves from left to the right, up and down and back again with its lushious electric bassline, cleverly edited percussion and fresh vibe !! on the flip you will find another swedish producer whos also capable of injecting a firm groove with an extra turbo boost to get the show on the road !

a sublime epic slice of electronic disco this track will draw you in and space you out with its layers of synth pads pulsing bassline and rolling groove jimpster takes the bare bones and builds up a more chunky funky deep house remix with a little help from the jones girls on the flip the spirit catcher boys work up a peak time mix that should please all fans of their pumping futuredisco sound

ladies & gentlemen, lads, kids and ravers.. antipop is back with another tech-house bomb !! uplifting strings and a pumpy bassline are working for it on a straight way..on the flip you will find also a martini brös rmx with funkyiness at the highest level

cass and mangan teaming up for the latest 12 from the saw recordings label. here you get the boys serving up a moody cover of the robert palmer hit, >i didnt mean to turn you on<, also recently covered by colette, with this take combining a brooding bassline, electro-touched synths, and a killer vocal, resulting in downtempo late night electro-house pleaser. on the reverse, eames’ >dub mix< adds more analog grind to the original, with tracky analog bass, crisp beats, and snippets of the vocal helping take this to the main room floors

amazing synth hooks with bleeps and drops and serious deep bassline action flip for super crazy ill bomb which is another stormer from rennie a big slice of hip hop/electro influenced breaks to go mad for

no order is the title track and first single to be taken from 2020 soundsystem s debut album. the a side 2020soundsystem remix is a brilliant, epic mix in two parts - starting out mid paced electrofunk before morphing halfway into a berlin meets detroit meets new york techno disco odyssey. the discoteque dub is the first of two superb dub mixes, it takes the electro disco bassline and danny s rock solid beats to form the basis of an exceptional modern, italo influenced electro dub. the basics dub , as the name suggests, has been seriously road tested at the leeds underground institution back to basics and tips its hat to the sounds of classic chicago and new york house

good vibe anthem with its rolling beats smooth synths warm bassline and sexy vocal that just makes you feel like everythings all right and all backed up by a fierce dancefloor re rump from head honcho yoof who toughens up the original and turns in a peak time scorcher

danish lad who has been knocking out the big floor rocking electro house cuts for labels like c2 and whoop under his alse monniker lifting it up a notch here with this tasty number on litmus highly hooky and based around a simple yet very effective bassline with some uplifting synths thrown in over the top remix comes from the beatchuggers

ashley beedle, along with keyboard player and producer/artist, uschi classen turn >blessings< into a ten minute monster fusion, with the beedle beats and strings along with the tough bassline and effects, on the flip, manchesters unabombers deliver pure boogie bliss..

you re too close combines shuffling late night house beats great rhodes chords and rich bass behind a silky smooth vocal from cei bei on this deep house delight on the flip mr vs sole channel remix ups the temp a little with a retooled bassline grooving beats and a dreamy new key providing the backdrop for the vocal

theo parrish legendary harmony park re-released. >twin cities< sees theo combining some fairly jackin beats and a throbbing dubby bassline with an amazing jazzy vibes line and some dubbed out synths on this superb late night cut, dropping elements in and out of the mix with consummate ease. on the reverse, >dance sing< is a percussion-driven cut with a booming bassline and gentle keys pitting wits with a drifting vocal stab (dance sing) and great percussion elements on another late night gem

hmmm sees rr picking up where his previous releases left off with this hypnotic minimal techno gem that combines spacey textured synths with shuffling techy beats and a rich dubby bassline the gys version gives the cut a bit more techno trackiness with some stellar new synth lines and reworked drum patterns

release number three on oliver liebs monofleur features himself under new alias every. the title track is a minimal futuristic electrohouse smasher.. <civilized> on the b side gives a kind of breaky electro-acid feeling and with the massive bassline in there just gives a killer groove.. 04.05.2006

nyc producer / dj alison tara debut with remixes from brennan green(modal/ balihu / chinatown records) and cle ackini(soundproof music / black cherry). two girls is a thumping gritty club tale about two club girls meeting and making out, blendning chicago and newyork elements with a kind of jacking attitude that would make dj sneak proud. brennan green adds some fun with his remix as well as some insane live drum edits backbeating the mix. watch the monster bassline. acklin throws down a straight-up house cut that takes no prisoners

get with you keeps the main room crowds moving with a driving house winner this time combining more gritty analog lines with unrelenting beats fuzzy analog bass and some great vocal drops then r n rs electro nutz mix gives the cut a great electro makeover with a retooled rolling bassline and more prominent electro flavored synths flip for a great carlo grieco rmx fed up is a stomping peaktime track packed with analog grit and soaring synths as the boys lay down a pumped up primetime house anthem

the classically titled zarabatana is an anthem for latin lovers world wide.. brazillian funk driven beats with a hardgroove style bassline!! including marco nastic and markantonio remix.. 10.04.2006

groovy minimal house grooves from the ever progressing four twenty imprint form the electro tinged kif met to the head noddin foot tappin long con with its rolling bassline this is a hit

entity drop their latest on sub frequency funk in the shape of heart attack this will not give you a heart attack thankfully ultra smooth grooves and some nice little scratch edits roll over some deep bassline action flip this beast for screwfaces remix which is a heavy dancefloor mover

second in the series of limited disco re edits from a certain mellow house producer you cant go wrong with the originals of either of these tracks especially with the cowbell prodded synth riff of the classic dyson track originally from 1982 on the flip the rare disco congo from a 1977 westbound lp with a memorable bassline reminiscent of the o jays for the love of money before the track heads off to trinidad for a steel band breakdown

mit >movin< beschert uns marlow den ersten vocal track auf mh seit langem.. den gesang liefert die jenaer sängerin delhia alias franziska grohmann die bereits zur letzen marlow ep <quiet> gesang und lyrics beisteuerte.. ein hauch von frühling kehrt in beiden marlow tracks ein !! beim tanzmann remix ist nix mehr mit frühlingsswing, willkommen zurück auf dem trockenen moon harbour boden, mit schweiß, masterplan und bodyrock !!

so this is some next shit! herve, dubsided s latest signing, is a hot new producer from west london. this debut release is just a taste of his funked-up jackin style - a perfect fit for the dubsided sound. a1 what you need the most: flitting from drum and bass-style drops, catchy vocal chops and the all-important pounding groove, all glued-together with a oizo-like attitude. b1 im mo try: the first collaboration between herve and dave taylor under his switch guise. its all about the bassline, taking herve s quirky mood and switchs trademark rumble, resulting in a solid club track. b2 lala land: vintage daft punk-sounding, funky as fuck with some deft eq ing. sounds absolutely stunning on vinyl and is perfect for people that like to drop the tempo in their sets but maintain the energy

the a-side of his new release, a minimal-moover with a certain progressive touch, brings the necessary portion of darkness to the dancefloor, whereas the hypnotic pendant >minority existence< with its 303- bassline screws into every convolution of the brain.. techhouse with a strong crossover-appeal, exciting and adult, contemporary but although full of personality, thats the sound of electribe !!

plays: ricardo villalobos, sasha, richi hawtin, ... jay & kage are favorites of sven väth, carl cox, adam beyer, ... deep n dirty techhouse tune with a monster bassline!

amnesia ibiza resident deejay les schmitz teams up once again with top producers david amo and julio navas to deliver out two quality tracks on this 9th release of spanish breakthrough label of the moment. (recently awarded by spanish deejay magazine). a- side >asteroids< is a powerfull and peaktime electrohouse track with slamming beats and hard hitting dirty bassline that will tear up dancefloors everywhere. will for sure gain support from steve lawler, john aquaviva, steve angello......on the b-side we have >gigistar< a very cool and underground electro-prog track for main rooms. groovy percusion, filled with a hypnotic rolling bassline in the stlye of d nox and beckers and with that personal fresco touch

dubtribe sound systems sunshine jones with his first solo release i believe is very much in the vein of classic dss releases with great percussion shuffling beats and a rich bassline underpinning a deep spoken vocal from sunshine on a very tracky late night house groover on the flip the stripped dub combines the vocal track and beats from the original as more of a dj tool/mixing cut and the i surrender completes things with a lush deep house excursion that blends inviting chords a breathy subtly dubbed spoken vocal hook and a warm bassline perfectly not to be missed

>whats wrong with me?< is the banger of the record: straight up madness for those not faint of heart or head. thick beats, nutty syncopations and a serious bassline all come together for that perfect 3 am mind bender. we suggest upon listening to this song that you remove any children that may be in the room as it may give them nightmares. >chitowner< is reminiscent of old prescription records. combining classic keys, horns, chunky beats and acid line, its sure to be a favorite of any deep house head who likes theirs with a bit soul. >i dont know< is just in time for the sound that owns the world at the moment . john and slater have fused funk with a classsic electro feel to make a song that is equal parts bump and edge. add a sample saying >brothers and sisters, i dont know what this world is coming to< and youve got pure dirty magic!

lullaby belies its title by blending great analog bass drifting dubby keys shuffling house beats and some stellar percussion elements behind some stellar guitar play for some surefire floor pleasing house on the flipside the dub version takes the original and throws dubby delays liberally throughout the entire track and praise completes this superb trio with a laidback downtempo gem combing a plodding analog bassline lazy beats and gentle guitar into a summery terrace track

ghettofunk vs blacksoul start off with a jason hodges style cut gotta feel it tough beats hip hop vox cutups and bouncy bass the a2 cut help me thru a more layered track with vocoded vox fx and lots of quirky feel flip for the debutant tracy coopers 2 tracks uptown is a jackin jazzy groove with live horns big upright bass and well placed sampling definitely a track for the heather/sneak crowd green grass is a really funky slice of hybrid jazz with latin bassline and bluesy piano stabs the horns stabs work well within too

kung fu fan claude vonstroke offers something very special with seven deadly strokeswhich teases the mind into creating pictures of fighting scenes bruce lee would be proud of. vonstroke s production on this piece is nothing short of spectular sounds with attention to details so precise that you discover something new about the track with each inspection. patrick chardronnets remix builds and builds a deep rich atmosphere by keeping some of the original elements, adding a subtle deep bassline to this irresistibly grooving techno gem and a final magic breakdown that pleases every crowd from barcelona to glasgow

troy pierce (aka louderbach, slacknoise and one third of run stop restore with magda and marc houle) unleashes one of the year s most anticipated tracks with >25 bitches<. the original track goes back a while, coming into creation as a joke composed while stuck waiting in an airport. not like humor is never ever a part of troy s music or persona, 25 bitches has been knocking down doors in his & fellow djs sets like magda and richie hawtin since last fall. pierce s bass-heavy mix starts of full of dark ghosts, working into a dub bassline and surgical mix of effects and vocals

excellent minimal techtraxx with a huge bassline !!

head straight to the paul harris dub on this package which uses the best parts of the poppy original namely the chords and the chorus hook he certainly makes hypnotic use of the vocal line over his dub which builds perfectly with great synth parts and a throbbing bassline that all make for a very sexy groove